Described as “one of the most natural performers one is likely to hear on a classical music stage” by the Washington Post, Jean Rondeau is a veritable global ambassador for his instrument. His outstanding talent and innovative approach to keyboard repertoire have been critically acclaimed, marking him out as one of today’s leading harpsichordists.

Following a year that saw his debut with the Orchestre de Paris performing Poulenc’s Concerto Champêtre, Rondeau’s 2021/22 season includes concerto engagements with the Orchestre de Chambre de Genève, a concert tour with the Freiburger Barockorchester, and a C.P.E. Bach tour with the Kammerorchester Basel with Rondeau play-conducting from the harpsichord. In the realm of chamber music, Rondeau shares the stage with Nicolas Altstaedt at the Berlin Staatsoper and re-reunites with his fellow co-founders of the Nevermind Quartet for recording projects and performances in Madrid, Dortmund and la Chaux-de-Fonds. He also rejoins long-time collaborator Thomas Dunford following recent appearances at the Stockholm Early Music Festival, the Festival Concentus Moraviae, the Ribeira Sacra Guitar Festival, the Haapsalu Festival and the Hindsgavl Festival last summer.

A notable highlight throughout the year is Rondeau’s tour of major European venues performing Bach’s Goldberg Variations – a project long in the making; emphasising sustainability with a “green itinerary” to highlight his environmental commitments, it includes visits to the Berlin Philharmonie, the Frankfurt Opera House, Amsterdam’s Concertgebouw, the Liszt Academy in Budapest, Geneva’s Victoria Hall, the Philharmonie de Paris, and London’s Wigmore Hall. Rondeau also features in multiple performances at the Salle de la Musique in La Chaux-de-Fonds as part of a six-concert “artist portrait” series in conjunction with a joint residence with the Orchestre de Chambre de Genève.